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Category Archives: Essays

Isolation and References in TS Eliot’s “J. Alfred Prufrock” and “The Hollow Men”

21 Tuesday Mar 2017

Posted by Platon in Book Symposion, Essays

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“That is not what I meant at all; That is not it, at all.”

– T. S. Eliot, ‘The Lovesong of J. Alfred Prufrock’ (1915)

 

Eliot’s poems “The Love Song of J. Alfred Prufrock” and “The Hollow Men” are different in subject matter, but they both share the thematic framework and tone that one would expect from the author of “The Waste Land.” They can also be read as two sides of the same coin that depicts Eliot’s view of the modern world: the individual perspective, and its societal counterpart. While “The Love Song of J. Alfred Prufrock” seems to be a personal account of a dream vision, “The Hollow Men” features a collective voice of individuals who have lost their individuality and identity, and they both coexist in a world that is defined by isolation as a result of a communication breakdown. In both poems, Eliot sets the tone with references to other works, much like in “The Waste Land”, and constructs the voice of each poem based on that tone. In this way, the epigraphs serve to set the poems in their respective literary contexts in the eyes of the reader. In turn, the voice of each poem uses additional references to further explore the themes that dominate them. The main themes of isolation and miscommunication in “The Love Song of J. Alfred Prufrock” and “The Hollow Men” are rooted in the voices that Eliot has constructed, and are highlighted by the literary references enriching these voices. Continue reading →

Literary Impressionism in “The Good Soldier” and “Mrs Dalloway”

18 Wednesday Jan 2017

Posted by Platon in Essays

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Ford Madox Ford, Impressionism, Modernism, Mrs Dalloway, The Good Soldier, virginia woolf

The Modernists’ Perception of Reality and Time

When talking about modernist writers, and particularly the high modernists, if such a term can be agreed upon, there is something beyond Pound’s famous make-it-new statement and idea that seems to dominate their writing. While the term literary Impressionism, much like Impressionism itself, has been historically problematic amongst writers and critics who have attempted to formulate a fully-formed definition, this quality of the modernist writers cannot go unnoticed, nor without remark. Jesse Matz has written extensively on this subject and notes that “For Proust, as we have seen, the impression is something that reality prints but that the writer must labor to decipher” (32). This is fairly true for modernist writers, but they go a step further and add characters as an extra layer of deciphering. The forces that drove the Impressionist painters during the late 19th century are the same behind modernist writers who try to represent a different view of reality. Continue reading →

Reign in Hell: Satan’s Role, Good and Evil, and Free Will in John Milton’s Paradise Lost

13 Wednesday Jul 2016

Posted by Platon in Essays

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essay, John Milton, Paradise Lost, Satan

 

“Though much is taken, much abides; and though

We are not now that strength which in old days

Moved earth and heaven, that which we are, we are:

One equal temper of heroic hearts,

Made weak by time and fate, but strong in will

To strive, to seek, to find, and not to yield” (Tennyson 65-70)

“All is not lost; the unconquerable will,

And study of revenge, immortal hate,

And courage never to submit or yield;

And what is else not to be overcome?” (Milton 1.106-9)

These two quotes are from Ulysses and Satan, respectively, in the poems “Ulysses” by Tennyson and Paradise Lost by Milton. Although “Ulysses” was written almost two hundred years after Milton, it is interesting to point out the similarities between the two speeches, and how this adds to the debate as to whether Satan is portrayed as a classical epic hero. Having written Paradise Lost in a time when poets firstly rediscovered and afterwards paid homage to Ancient Greek and Latin texts, Milton uses several epic poem tropes which were most famously used by Homer and Virgil. Its story draws heavily on the Bible, particularly on the Book of Genesis and the Book of Revelation, and focuses on Satan, and Adam and Eve. Milton uses these biblical sources to write an epic tale, which deals with two central themes: good and evil, and free will. Satan appears to be the hero of Paradise Lost due to Milton choosing to write an epic poem in the style of Homer and Virgil, and places him in the center of the narrative, which is similar to the role of Achilles in the Iliad, or that of Aeneas in the Aeneid. This choice is not accidental, as Paradise Lost aims to turn the notion of the righteous hero on its head, and conveys the idea that good and evil are subjective, and the judgement of the two should be made on the grounds of knowledge and free will.
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Confessions of a Readaholic: A Struggle against Literature

29 Wednesday Jun 2016

Posted by Maliha in Essays

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essay, narrative, reading

I do not remember when it was that I read my first novel or which book it was. I know for sure it was a Bengali book written by a Bengali author (as I’m from Bangladesh). As far back as I can remember, I’ve seen my mother with a book in hand practically all the time, unless she was cooking or sewing dresses for me, or sleeping! I’m sure I picked up my reading habits from her. I had no siblings, nor many friends growing up; so books were more or less my sole companions. I loved reading, and read without any distinction. Back then, there were neither good books nor bad books. They were just books — my friends — and I loved them all equally, so much so that I had finished all of the books in my mother’s collection by the age of 10. Simply put, I was addicted to reading. Continue reading →

Heart of Darkness: A Postmodern Reading

14 Tuesday Jun 2016

Posted by penclaud in Essays

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essay, Heart of Darkness, Joseph Conrad

“When you have to attend to […] the mere incidents of the surface, the reality – the reality, I tell you – fades” (Conrad 1978). Published for the first time in 1899, Conrad’s Heart of Darkness explores themes and attitudes towards reality which will be further developed and investigated by modernist writers, twenty years later, and by postmodernist critics, approximately one century later. De facto, modernism and postmodernism share an important feature, a strong sense of fragmentation. However, while modernists mourn fragmentation and lament the loss of fullness and meaning, the postmodernists find it “an exhilarating, liberating phenomenon, symptomatic of [an] escape from the claustrophobic embrace of fixed systems of belief” (Barry 81). Marlow, the protagonist of the novel, seems to make his way through perceptions and representations of reality, which he builds in what could be said to be, from a postmodernist point of view, a modernist approach and which he transcends in what could be said to be a postmodernist approach. Continue reading →

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